It is a common warning in certain circles that jointly caring for a dog following a split is ill-advised. The consensus suggests such situations impede ex-partners from healing, create logistical nightmares, lead to tension, and become annoying across the board. Apparently, in a revelation fit for a direct-to-platform film, it also makes the dogs themselves to experience sadness.
Not to downplay the mental health of dogs – many owners speak of their deep emotional capacity. For a masterclass in canine melancholy, one need only look recent cinema. I firmly believe that a dog of Merv's nature, a spirited little dog portrayed by Gus the Dog, would find it difficult adapting to life in two homes. Whether this premise a full holiday film around this situation holds water remains rather doubtful.A Familiar Formula
Fairness demands noting, Merv, the work of the writing duo and directed by Jessica Swale, doesn't pretend to be more profound than what it is. We have here a Christmas movie from a streaming platform giant – the ambitions are modest. The narrative is destined to be straightforward: a separated couple Russ (Charlie Cox) and Anna (Zooey Deschanel), confronting that their individual funk is rivaled only by their dog's, take a uplifting getaway to a dog-friendly resort. There, inevitably, they will surely realize the idea that they are better together. The supporting cast – including a group of comedic actors – fulfill roles eccentric, underutilized, or over-the-top. Visually carries the feel of a streaming service original, with a Christmas setting that is clearly manufactured – think fake snow clinging to lush pines as a warm climate doubles as the Northeast.
Where the Film Shines
If these predictable parts coalesce into an entertaining watch rests upon the strength of the performances and one's taste for cinematic comfort food. On the latter point, Merv hones in on a demographic – individuals who scroll endlessly for dog videos. It provides a wealth of scenes focused on the pet. The central draw is the dog, and though it results in some awkward editing between the pet's "lines" and human reaction, the movie succeeds in showing walking sequences, canine sorrow, and, ultimately, pure puppy happiness.
The Human Element
The same praise does not extend for the human side of the story. Its style shifts uneasily between serious study, broad humor, standard rom-com beats, and silly gags, failing to master a consistent feel. No blame falls on Charlie Cox, who is willing to embrace the humiliating and funny required by the unusual premise. His performance contains a likable self-deprecation that supplies much of the film's charm for this seemingly ideal couple. Her co-star Deschanel, true to her usual style, brings a particular brand of eccentricity that will click for some but not others. Her portrayal seems a bit too dry, notably when alongside Cox's genuine sadness. (It should be noted, Merv himself manages flopping and whining – he may not be Messi from that acclaimed drama, he is still an excellent dog.)
Merv tries to provide depth to Anna and Russ's relationship for sequences focusing solely on them – which is unfortunate, given that the title character is easily the best part of this film designed for charm. As one might predict, it achieves only baseline competence. The reason for their separation could have been more nuanced with less exposition and more subtle storytelling. Ultimately, Merv is gentle and pleasant, fulfilling every expected note. Creating a movie with this canine conflict is not terrible – even if I wouldn't call it a stroke of genius.
- Merv streams on Prime Video starting December 10.
